Harlem Renaissance Southern migrants and returning soldiers…

Question Answered step-by-step Harlem Renaissance Southern migrants and returning soldiers… Harlem RenaissanceSouthern migrants and returning soldiers energized northern cities. Those communities became fertile soil for creative work and self-expression.  Among those communities, Harlem (New York City) and South Side (Chicago) become the most iconic ones. Harlem Renaissance or “New Negro Movement”- the cultural explosion that took place in Harlem- fascinates us up to the present. To understand why, please observe  Aspects of Negro Life by  Aaron Douglas.  Source: Schomburg Center for Research in Black Culture, Art and Artifacts Division, The New York Public Library. “Aspects of Negro Life” The New York Public Library Digital Collections. 1934. http://digitalcollections.nypl.org/items/634ad849-7832-309e-e040-e00a180639bbAs the title describes,  the observer  is presented with different aspects on the life of Black Americans. On the far left side, you can see the KKK as a representation of violence and oppression. Please notice the person beneath the horses’ legs. The cotton plants at the bottom half can also be associated with oppression and control. Those images contrast with the candles or light, which is traditionally associated with freedom and knowledge. Please notice how the man at the center is pointing to “the city on a hill,” a reference to a place where hope and freedom exists. On the center/right, we see a man illuminating people as they break the chains of oppression, while lifting their hands in the air. Far right, we can observe people engaging on one of the purest form of freedom: artistic expression.The Harlem Renaissance, as well as the Chicago Renaissance, built from the African American experience. The richness of this experience explains why the movement produced a rich cultural heritage. That heritage includes: jazz- music free from norms and liturgic on its performance- as well as poetry.   Document Analysis- Harlem Renaissance on its own words1. Excerpts from: “The Negro Artist and the Racial Mountain” by Langston HughesLangston Hughes is one of the best known poets of the Harlem Renaissance. Among his eternal writing is possible to mention  I, too and Harlem . On “The Negro Artist and the Racial Mountain” Mr. Hughes analyzes the quest of forms and aesthetics within African American artist and community. On this excerpt, Langston Hughes analyzes Jazz. This essay was published on The Nation, June 23, 1926.  Source: Hughes, Langston. “The Negro Artist and the Racial Mountain.” Primary Source Documents: 1920 to 1929, Facts On File, 2014. History Research Center, online.infobase.com/Auth/Index?aid=17443&itemid=WEHRC&articleId=563538. MCC Library Access Point: https://ezproxy.middlesexcc.edu/login?url=https://online.infobase.com/Auth/Index?aid=17443&itemid=WEHRC&primarySourceId=18884″Jazz to me is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul—the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile…  to my mind, it is the duty of the younger Negro artist, if he accepts any duties at all from outsiders, to change through the force of his art that old whispering “I want to be white,” hidden in the aspirations of his people, to “Why should I want to be white? I am a Negro—and beautiful!””…We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased we are glad. If they are not, it doesn’t matter. We know we are beautiful. And ugly too. The tom-tom cries and the tom-tom laughs. If colored people are pleased we are glad. If they are not, their displeasure doesn’t matter either. We build our temples for tomorrow, strong as we know how, and we stand on top of the mountain, free within ourselves.”Questions:(*) Upload answers on Assignment Tab    (**) Keep in mind the basic format: answer to question + “quote from source”+ analysis (explanation on how quote supports answer to question) -Demonstrate the following argument: “Jazz was a rebellion against the “sins” of society and a declaration of pride” (at least two paragraphs)- According to Langston Hughes, it does not matter if people like this new art. Explain his argument (at least one paragraph) History US History HY 101 Share QuestionEmailCopy link Comments (0)