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Differences between narrative essay and descriptive essay

Narrative essays and descriptive essays are two different types of essays that serve distinct purposes and involve different writing styles. Here are the key differences between them:

**1. Purpose:**
– **Narrative Essay:** The primary purpose of a narrative essay is to tell a story or recount a personal experience. It often involves a chronological sequence of events and may include characters, a plot, and a central theme or message.
– **Descriptive Essay:** The main purpose of a descriptive essay is to vividly describe a person, place, object, or experience to the reader. It aims to create a detailed and sensory-rich image in the reader’s mind.

**2. Structure:**
– **Narrative Essay:** A narrative essay typically follows a storytelling structure, including an introduction, a plot with rising action, climax, falling action, and a conclusion. It often includes dialogue and character development.
– **Descriptive Essay:** A descriptive essay often follows a more straightforward structure. It starts with an introduction that introduces the subject, followed by body paragraphs that provide vivid descriptions and sensory details, and concludes by summarizing the impressions created.

**3. Point of View:**
– **Narrative Essay:** Narrative essays are usually written from the first-person point of view because they involve personal experiences and storytelling. The narrator is often a character within the story.
– **Descriptive Essay:** Descriptive essays can be written from various points of view, but they are often composed from a third-person perspective to create an objective and detailed portrayal of the subject.

**4. Language and Tone:**
– **Narrative Essay:** Narrative essays use a mix of descriptive language and storytelling techniques. The tone can vary, depending on the story’s mood and message.
– **Descriptive Essay:** Descriptive essays focus heavily on descriptive language and sensory imagery. The tone is often more objective and focused on creating a sensory experience for the reader.

**5. Examples:**
– **Narrative Essay Example:** A narrative essay might recount a personal journey, a significant life event, or a memorable travel experience.
– **Descriptive Essay Example:** A descriptive essay could describe a picturesque sunset, an ancient cathedral, a favorite childhood memory, or the characteristics of a beloved pet.

In summary, while both narrative and descriptive essays involve vivid language and detailed descriptions, their primary purposes and structures differ. Narrative essays tell stories, while descriptive essays create sensory-rich depictions of a subject. The choice between the two depends on the writer’s intent and the message they wish to convey.

Marketing Strategy for Fenty Beauty

Growing up, I recall preparing for my dance recitals and having to wear beige tights because they were the only “nude” color stockings available to me. For decades, fashion has featured predominantly thin white models, but in recent years, with the lead of consumer demand and social media, designers have started progressing to include models outside this category. One designer who is here to challenge these fashion norms is Rihanna. From her Fenty beauty line to her Savage collection, Rihanna is creating products that actually acknowledge the diversity of the world we live in.

In the past, the fashion industry largely showcased thin, white models, but recently, driven by consumer demand and the influence of social media, designers have started breaking away from this tradition. Rihanna, in particular, is challenging these fashion norms with her Fenty beauty line and Savage collection, which celebrate diversity and inclusivity.

Rihanna’s latest Savage x Fenty lingerie show, which closed out New York Fashion Week, defied conventional fashion show norms and received a tremendous response. The show featured women of all body shapes, sizes, and skin colors, including two pregnant women—a rare sight in the fashion world. Rihanna’s decision to cast real women on the runway was widely praised and celebrated on the internet.

The show featured a wide range of nude-colored pieces, catering to the diverse spectrum of skin tones that exist. The size range was also impressive, with bras available from 32 A to 44 DD and underwear from XS to 3X. Savage x Fenty demonstrates that diversity not only matters but is also a recipe for success. The entire presentation conveyed a powerful message of empowerment and celebrated the differences among women. Collections like this represent a significant step forward in diversifying the fashion industry, creating an inclusive space for everyone to express their individuality.

Savage x Fenty is a forward-thinking line that exemplifies what fashion should be. Rihanna’s collection redefines beauty by embracing authenticity without apology. When young girls see women who look like them in media and advertising, it reshapes their perception of beauty and instills the belief that they can achieve anything. While some brands superficially include diversity, there is still a long way to go in the fashion industry. Brands need to educate themselves on diversity and inclusion, starting with diverse decision-makers who can bring a broader range of perspectives and ideas. This shift can elevate inclusion in the fashion industry from a token gesture to the new standard.

Bibliography

  1. Brinkhurst-Cuff, C 25 Dec 2017, Why 2017 was the year of the beauty mogul, viewed 1 May 2020,
  2. Fetto, F 29 September 2019, The beauty industry is still failing black women, viewed 20 May 2020,
  3. Flemming, M 9 May 2019, Missed opportunity: Why is the beauty industry still failing women of colour?, viewed 25 May 2020,
  4. Fiske, J 2010, Introduction to communication studies, Routledge, Florence.
  5. Instagram, 2019, Mills, S 2003, Michel foucault, Routledge, London.
  6. NARS Cosmetics, 2020, Blush, viewed 1 May 2020,
  7. NARS COSMETICS, 2020, Francois Nars, viewed 1 May 2020,
  8. Nielsen, 2013, Resilient, Receptive and Relevant, viewed 1 May 2020,
  9. com, 2019, Nars Drops New Phallic Lipstick Ad That Angers Many on the Internet — Except for Chrissy Teigen, viewed 29 April 2020,
  10. Scarietto, A 11 September 2017, Is Fenty Beauty Gloss Bomb Worth it? It’s Rihanna’s Only Lip Product, viewed 2 May 2020,
  11. Youtube, 2017, GLOSS BOMB UNIVERSAL LIP LUMINIZER | FENTY BEAUTY, viewed 20 May 2020,

Robyn Rihanna Fenty

“Every woman who believes she is the sole victim of violence should understand that there are many more.” – Salma Hayek

Ranked 20th on Time Magazine’s “100 Most Influential People in the World,” Robyn Rihanna Fenty, internationally known as Rihanna, was born on February 20th in Barbados. Rihanna is a singer, actress, and fashion designer. Her early life was marred by her parents’ troubled marriage, with her father’s drug addiction leading to domestic violence, including an incident where he broke her mother’s nose. Coping with these challenges, Rihanna turned to singing during her teenage years as a way to escape her difficult home life.

At the age of 15, she had a life-changing audition with music producer Evan Rodgers, who was deeply impressed by her talent. At 16, Rihanna left Barbados to pursue her music career in the United States, living with Rodgers and his wife. She recalls her determination, stating, “When I left Barbados, I didn’t look back. I wanted to do what I had to do, even if it meant moving to America.”

From the release of her debut single “Pon de Replay” to the present day in 2013, Rihanna has achieved continuous success and has become one of the best-selling music artists of all time. In 2006, she established the Believe Foundation to assist children with terminal illnesses. Tragically, in 2009, Rihanna experienced domestic violence at the hands of her boyfriend. Despite her troubled past, Rihanna used her inner strength to extricate herself from harmful situations and used her fame to make generous contributions. She is a true hero.

Rihanna displays strength through her resilience. After the 2009 incident with her boyfriend, she guarded her emotions, not allowing others to see her vulnerability. She explained, “I put my guard up so hard… I refused to let that be the image… I wanted them to see me as, ‘I’m fine, I’m tough.'” This resilience allowed her to continue pursuing her goal of becoming a singing sensation even after a humiliating public event.

Moreover, Rihanna became a prominent advocate against domestic violence, using her voice to raise awareness of this critical issue. Opening up about her personal struggles publicly, especially given her fame, requires tremendous courage. Celebrities are often seen as perfect, and her willingness to share her imperfections demonstrates her bravery. Her openness can help other women going through similar situations, showing them that they are not alone.

Rihanna is also an encourager. With fame comes the power to influence people, and Rihanna uses her platform to encourage her fans not to succumb to unrealistic body image standards imposed by society. She advocates against the pressure to conform to the fashion industry’s size zero standards and emphasizes the importance of embracing one’s natural body. Her words can provide encouragement to those who face body image issues or bullying due to their weight.

Furthermore, Rihanna’s influence extends to her role as a spokesperson against domestic violence. She believes she can be a voice to help others in dangerous relationships and warns young girls not to repeat her mistakes. Her advocacy empowers women to seek help and support when facing domestic violence, ultimately encouraging them to break free from abusive situations.

Finally, Rihanna demonstrates selflessness through her philanthropic efforts. She donated $1.8 million to a hospital in Barbados to support its modernization program, with the goal of saving lives and extending them. She hasn’t forgotten her roots and uses her success to give back to her community. In 2009, she helped a 5-year-old girl with leukemia find a bone marrow donor, displaying her willingness to assist others, even those she doesn’t know personally.

In conclusion, Rihanna serves as an inspiration with her strength, encouragement, and selflessness. Her ability to turn personal challenges into opportunities for positive change is commendable. She has the courage to speak out against domestic violence, encourage body positivity, and help those in need. Rihanna’s actions and words make her a hero worth admiring.

“Intellectual Property Right: The Case Rihanna v Topshop” sample intellectual essay

Intellectual Property Rights (IPR) refer to the legal protection granted to intellectual creations, including patents, designs, trademarks, and copyrights. These rights are awarded to individuals or businesses responsible for creating these intellectual properties. IPR laws aim to safeguard the rights of creators, allowing them control over who can use their intellectual property and enabling them to generate income from it.

In the case of Rihanna v. Topshop, the plaintiff raised concerns related to passing off, as there were no specific laws protecting the use of public figures’ images in the UK. This study examines how Justice Birss approached the case and what led to his conclusion that the plaintiff had a legitimate claim against Topshop. It also explores the potential for an appeal and its merits.

Rihanna, a renowned pop star and fashion icon, sued Topshop for using her image on t-shirts without her permission. The defendant had obtained the image from an independent photographer who had initially taken the photo with the plaintiff’s consent during a video shoot. Rihanna’s claim was based on the unauthorized use of her image, constituting an infringement of her rights.

To establish her claim, the plaintiff had to prove that she possessed public goodwill, that the defendant’s actions involved misrepresentation, and that she had suffered losses due to these actions, following the precedent set by the case Reckitt & Colman Ltd v Borden Inc [1990] 1 All E.R. 873. While UK law does not provide direct protection for public figures’ images, it does offer safeguards for the distribution of specific photographs held privately.

The court found that the defendant’s conduct amounted to misrepresentation. Despite not using an authorization label or tag on the merchandise, the defendant’s attempts to link the plaintiff to their products created a strong conviction among customers that they had permission to use her image. The court also noted that the plaintiff’s image was a financial asset, and unauthorized use could negatively impact her career.

The court ruled that the use of the plaintiff’s image without permission had influenced the defendant’s sales, and the resulting deception had damaged the plaintiff’s goodwill. The defendant was ordered to pay legal fees and prohibited from further distributing merchandise featuring the plaintiff’s image.

Regarding the appeal, the appellate should argue that the use of the plaintiff’s image did not harm her reputation or contribute significantly to the defendant’s sales. They must demonstrate that their actions were not deceptive and that they acted in good faith. Ultimately, the success of the appeal will depend on their ability to prove that the plaintiff’s claims were not substantiated.

Bibliography

Blakeney, Michael. Intellectual Property Enforcement: A Commentary on the Anti-counterfeiting Trade Agreement (ACTA). (UK: Edward Elgar Publishing, 2012)394

Caddick Nicholas and Longstaff Ben . A Users Guide to Trade Marks and Passing Off. (Bloomsbury Publishing, 2012) 474

Carty Hazel. An Analysis of the Economic Torts. (Oxford University Press, 2010) 333

Colston Catherine and Galloway Jonathan. Modern Intellectual Property Law. (New York: Routledge, 2010) 896

Davies Colin and Cheng Tania. Intellectual Property Law in the United Kingdom. (UK: Kluwer Law International, 2011)292

De Lacy John Reform of UK Company Law. (Routledge, 2013) 550

De Vrey Rogier W. Towards a Euroapean Unfair Competition Law: A Clash Between Legal Families: a Comparative Study of English, German and Dutch Law in Light of Existing European and International Legal Instruments. (BRILL, 2006) 80.

Douglas v Hello (2007) UKHL 21, Dutfield Graham and Suthersanen Uma Global Intellectual Property Law. (Edward Elgar Publishing, 2008) 384.

Harrods Ltd v Harrodian School Ltd. ([1996] RPC 697 Irvine v Talksport [2002] FSR 60 Kenyon Andrew T., Ng-Loy Wee Loon, Richardson Megan. The Law of Reputation and Brands in the Asia Pacific. (Cambridge University Press, 2012) 279.

Lambert Miss Jane. Enforcing Intellectual Property Rights: A Concise Guide for Businesses, Innovative and Creative Individuals. (England: Gower Publishing, Ltd., 2012)192

Lee Nari., Westkamp Guido, Kur, Annette, and Ohly Ansgar. Intellectual Property, Unfair Competition and Publicity: Convergences and Development. (UK: Edward Elgar Publishing, 2014) 384.

Marson James. Business Law Concentrate: Law Revision and Study Guide. (Oxford University Press, 2013) 224

Mirage Studios v Counterfeit Clothing (the Teenage Mutant Ninja Turtles case) [1991] FSR 145 Reckitt & Colman Ltd v Borden Inc [1990] 1 All E.R. 873

Norman Helen. Intellectual Property Law Directions. (New York: Oxford University Press, 2011)505

Olwan Rami M. Intellectual Property and Development: Theory and Practice. (Springer, 2013) 12

Patry William. How to Fix Copyright. (Oxford University Press, 2011)323

Phillips Jeremy. Trade Marks at the Limit. (UK: Edward Elgar Publishing, 2006)320

Robyn Rihanna Fenty and others v Arcadia Group Brands Ltd (t/a Topshop) and another [2013] EWHC 2310 (Ch) Routledge. Intellectual Property Lawcards 2012-2013. (Routledge, 2013) 192

Torremans Paul Copyright Law: A Handbook of Contemporary Research. (Edward Elgar Publishing, 2009) 552

Wadlow Christopher .The Law of Passing-off: Unfair Competition by Misrepresentation. (London: Sweet & Maxwell, 2011) 952

Waelde Charlotte , Laurie Graeme , Brown Abbe , Kheria Smita, Cornwell Jane. Contemporary Intellectual Property: Law and Policy. (Britain: Oxford University Press, 2013)1025.

Yu Peter K. Intellectual Property and Information Wealth: Trademark and unfair competition. (Greenwood Publishing Group, 2007) 452

FOB Fenty Jalalabad Attack on June 2010

In his article titled “FOB Fenty and Attacks in Jalalabad,” Smith relies on various media reports to provide an account of the events that transpired at Front Operating Base (FOB) Fenty on June 28th, 2010. With a significant emphasis on the words of Tim Lynch, Smith narrates the failed attempt by Taliban insurgents to raid the military base through an infrequently used entrance. The article offers a detailed account of the insurgents’ unsuccessful efforts to breach the base, involving a bomb detonation at the gate and a subsequent intense firefight with the guards. Smith prominently references the news reports of Jim, an American news reporter at the base. Throughout the article, Smith openly declares his support for American efforts and expresses his hope for the defeat of the Taliban insurgents. It is evident that he holds a strong belief in the superiority of the American military, as demonstrated by his dismissal of the possibility of the insurgents overrunning FOB. In his concluding remarks, Smith advocates for the US soldiers’ decision to eliminate the Taliban insurgents.

Article Review:

The primary objectives of the author in this article are not to highlight the reporting skills of Tim Lynch but rather to convey information to the reader about the events at FOB Fenty. Additionally, Smith aims to express his stance on the war. He unequivocally states his opposition to the Taliban and suggests that their actions will never succeed as long as the US maintains a prominent presence in Afghanistan. Importantly, the author’s approach is to provide an objective report by heavily relying on the words of Tim Lynch and other news sources, such as the Washington Post. Furthermore, he aims to underscore the disparity in capabilities between the US military and the terrorist group, emphasizing that the tactics of the Taliban are ineffective, particularly when compared to the proactive stance of NATO forces and the US military.

Although the article lacks a clearly defined theoretical framework, it primarily addresses the domains of warfare and terrorism. Smith makes references to enemy tactics, such as the “massing of forces,” and portrays acts of terror as acts of cowardice, aligning with theories related to terrorism. The article also delves into the theory of war and terrorism by highlighting the measures taken by the US military in Kunar and Nuristan provinces. The central argument presented by the author is that the aggressive elimination of insurgents is essential because they pose a threat to both local and international populations. This position is substantiated by the author’s portrayal of how insurgents selectively antagonize the residents of Jalalabad, with one of the key reasons being their intent to provoke non-Muslims.

The central argument of the article revolves around the necessity of aggressively targeting and eliminating terrorists, particularly away from populated areas, given that local residents do not necessarily support the Taliban. Through the cited news reports, the article highlights some of the losses incurred by the group, using these losses as justifications for the need for the US to prevail in what is portrayed as a one-sided war. These losses include the deaths of young men who join militant groups like the Taliban, resulting from battles and their belief in suicide bombings. The author’s writing approach is effective, utilizing examples and evidence to support central arguments. For instance, he asserts that despite ongoing attacks, international forces in the region draw encouragement from the perception that they are on the right side—the side represented by the US military.

 

The author’s position in the matter is clearly expressed in the article. He does not adopt a central or neutral stance but rather exhibits a biased outlook in favor of the American side of the conflict. This is evident in his use of terms like “we” when referring to the American side, and he explicitly states, “We can do more, but we can’t do any less than that and win,” which underscores his belief in the justification of American actions in Afghanistan. The author’s bias is further demonstrated by his focus on the negatives of the Taliban insurgents while overlooking any faults on the US side. For instance, there is a discrepancy regarding whether the perimeter wall of the camp was breached, but the author does not explore such inconsistencies and concentrates on highlighting the shortcomings of the Taliban.

The article’s strengths lie in its presentation. It effectively incorporates auxiliary features, such as photographs of the scene, which enhance the reader’s understanding and make the content more vivid. The use of visual elements is compelling in conveying the events. Additionally, the article is concise and to the point, avoiding the potential for reader disengagement that often accompanies overly long articles. The use of firsthand information lends credibility to the article, and the author mentions that the information is derived from both news sources and a contact on the ground in Fenty. The informal style of writing makes the article engaging, and the frequent use of the first person adds a personal touch. This approach allows the author to connect with the reader and convey emotions effectively.

In conclusion, the article possesses more strengths than weaknesses. To recap, the author takes a clear and biased stance in favor of the American side of the conflict and relies heavily on quoted material. While the article provides a report on real events, its lack of neutrality compromises its quality as a neutral report. However, its concise and engaging style, use of visual aids, and incorporation of firsthand information contribute to its overall effectiveness.

References

De, L. D. E. (2010). Research companion to green international management studies: A guide for future research, collaboration and review writing. Cheltenham, UK: Edward Elgar.

Smith, H. (08, July, 2010). FOB Fenty and Attacks in JAlalabad. The Captain’s Journal. Retrieved from: http://www.captainsjournal.com/2010/07/08/fob-fenty-and-attacks-in-jalalabad/